REMARKS BY
MANGOSUTHU BUTHELEZI, MP
MINISTER OF HOME AFFAIRS AND
PRESIDENT OF THE INKATHA FREEDOM PARTY
DURBAN PLAYHOUSE THEATRE: SEPTEMBER 25, 2002
I am delighted to attend the opening
performance of Ushakazulu, the Gaping Wound. It is appropriate that
this performance takes place here, in the Durban Playhouse, both because the
themes expressed are relevant to our own cultural setting in KwaZulu Natal,
and due to the recognised reputation of this theatre as a stage from which
performances may leap into the global arena. I understand it is the
intention of Victory Sonqoba Theatre Company to take the musical dance
drama, which we have come here tonight to enjoy, to international audiences
as well. I wish to take this opportunity to express my support for that
endeavour. I believe our Province and our country has a great deal to offer
in the form of talented artistic expression. A cross pollination between our
own creative arts and those from foreign soils will surely open the way for
the African Renaissance our nation seeks.
I am an avid supporter of the South African
arts. Our rich cultural diversity has bestowed on us a multiplicity of
experiences out of which art may grow. The various cultures of South Africa
each find their expression in the music, dance and creative products of our
people. But more than an expression of our unique cultural identity, the
arts in our country have become a crucible in which the worst of our society
and the darkest of our experiences, can be cathartically brought into the
open. Out of this same crucible, the most noble features of South Africa
have been portrayed on stage, canvass and paper. Our anguished quest for
human dignity birthed a creative genre of its own. Our triumph in April 1994
poured a new spirit into our art. The years since that time, filled with the
shifting tensions of reconciliation, truth and transformation, have brought
us exceptional raw material on which to base our creative expressions.
The Victory Sonqoba Theatre Company has taken
the unique experiences of South Africa and committed itself to operating as
a tool for conflict resolution within our communities, fostering tolerance
and peace where the threat of conflicts previously loomed. This is
difficult, but invaluable work towards building unity among the various
segments of our nation. In the effort of reconciliation, I have often noted
that the example must come from our leaders and filter down into
communities, who see their leaders working together and find the inspiration
likewise to reach out and heal generations-old wounds and divisions. It is
important that ordinary people are able to gain the perspective of
reconciliation working and seemingly entrenched realities being changed.
By using the stage to portray a microcosm of
life, the Victory Sonqoba Theatre Company holds the potential not only to
expose where we are along the path towards reconciliation, but how we may
take the next step, and the next, into healing and unity.
Education is a pioneer of liberation. Through
the creative arts we are able to reveal truths which may not yet form part
of the general debate, and teach people about our present reality. While
ignorance still keeps many of our people under the burden of divisions,
cultivating distrust and distance, education opens the possibility that we
might recognise our commonalities and our shared aspirations. The themes
played out on the theatre stage are the themes of man since time immemorial.
The content has not changed, but through the ages this content has found
different historical contexts. Just as the ancient Greeks played out the
realities of human interaction, in a constant synthesis of discord and
reconciliation, on the public stage, our own actors in this present day play
out the same everyday experience of our communities. Through the play, they
reveal the same insecurities, the same nobility and the same intense impulse
to reach out for something higher which has been the mark of man for as long
as man has walked the earth. For us, the context has become very personal
and very real.
I deeply admire what the Victory Sonqoba
Theatre Company is achieving within our communities. Reconciliation,
stability and peace are principles to which I have committed my entire life’s
journey. I know that the healing of our people’s historical wounds can
only come through constructive engagement between those who have been
divided. Time will perhaps not be the healer in our case. Africa bears a
long memory, and there is much in our past which requires being brought out
into the open before it may be finally closed and left behind. As we walk
into our collective future, the task of redressing the legacy of our past
cannot be avoided. This legacy plays out in the complexity of our social
discourse and is expressed in the difficulties we still experience in
relating to one another. Through the creative arts, many South Africans have
come closer to experiencing the different cultures of people who share this
very same country, than they have in many years of living here. I believe
that if we can challenge ignorance and misconceptions in a secure
environment such as a theatre, we can begin to influence change outside, in
our broader society.
For this reason, I offer my support to the
performance of Ushakazulu, the Gaping Wound. May tonight’s
performance herald a good run for the Victory Sonqoba Theatre Company, here
at the Durban Playhouse and perhaps in many other venues beyond our own
borders. I trust that as you take the message of reconciliation and conflict
resolution ever further among ordinary people, a change will become evident
in attitude, interaction and cohesion which may spread to the benefit of us
all. I wish to emphasise my support and enthusiasm for the exposure of
marginalised talent which this performance will allow. I believe that within
our own hostels and townships there is a vast untapped source of talent,
creativity and passion. I am thrilled that tonight ordinary people will
bring to the stage the everyday experience of ordinary South Africans. May
this prove to be an outstanding success.
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